The Enemy by Mahmoud Darwish

The enemy

By Mahmoud Darwish

I was there a month ago. I was there a year ago. I was always there as if I was never anywhere else. In 1982 the same thing happened to us as is happening now. We were besieged and killed and fought against the hell we encountered. The casualties/martyrs don’t resemble one another. Each of them has a distinctive physique and distinctive features, different eyes and a different name and age. The killers are the ones who all look the same. They are one being, distributed over different pieces of hardware, pressing electronic buttons, killing and vanishing. He sees us but we don’t see him, not because he’s a ghost but because he’s a steel mask on an idea – he is featureless, eyeless, ageless and nameless. It is he who has chosen to have a single name: the enemy.


Mahmoud Darwish, A River Dies Of Thirst, Archipelago Books, 2009


About anti

Anthony Iles is currently a doctoral candidate at the School of Art & Design, Middlesex University. A founder member of the Full Unemployment Cinema. A contributing editor with Mute / Metamute since 2005. He is the author, with Josephine Berry-Slater, of the book, No Room to Move: Art and the Regenerate City (Mute Books, London 2011), contributing editor to the recent publications, Anguish Language: writing and crisis (Archive Books, Berlin, 2015), and Look at Hazards, Look at Losses (Mute/Kuda, 2017) and a contributor to Brave New Work: A Reader on Harun Farocki’s Film A New Product. Recent essays have been published in Mute, Radical Philosophy, Rab-Rab: Journal for Political and Formal Inquiries in Art and Logos.
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