About anti
Anthony Iles is currently a doctoral candidate at the School of Art & Design, Middlesex University. A founder member of the Full Unemployment Cinema. A contributing editor with Mute / Metamute since 2005. He is the author, with Josephine Berry-Slater, of the book, No Room to Move: Art and the Regenerate City (Mute Books, London 2011), contributing editor to the recent publications, Anguish Language: writing and crisis (Archive Books, Berlin, 2015), and Look at Hazards, Look at Losses (Mute/Kuda, 2017) and a contributor to Brave New Work: A Reader on Harun Farocki’s Film A New Product. Recent essays have been published in Mute, Radical Philosophy, Rab-Rab: Journal for Political and Formal Inquiries in Art and Logos.
Originally posted on Stefan Szczelkun's Agit Disco noticeboard:
e.g. Eliane Radigue – Stress Osaka (1969) https://youtu.be/jr5he-HGuEg P.S. There’s nine more to upload. The idea is to choose something new I learn to have a uTube link. Details via: http://www.ele-king.net/books/006107/
Stacy Doris, ‘Index’ to Lisa Robertson, Occasional Work and Seven Walks from the Office for Soft Architecture, Toronto: Coach House Books, 2011, pp.237-239.
List of “friendly words,” in Margaret B. Owen, The Secret of Typewriting Speed ( 1917 ). In one manual, Margaret B. Owen’s The Secret of Typewriting Speed (1917), its author—who declares typewriting a form of art and links … Continue reading →
Roman Jakobson tells us that ‘Mayakovskij and I worked on his Soviet Alphabet together.When he had the first line of a couplet, but the second wouldn’t come to him, he would say: “I’ll pay you so much, if you can … Continue reading →
Max Horkheimer, index to Dawn & Decline consisting of two parts written between 1926-1931 and 1950-1969 the first part originally published under the pseudonym Heinrich Regius as Dammerung, Notizen in Deutschland 1926-1931 (1934), the second part appears to be unpublished … Continue reading →
by André Thirion André Thirion, ‘A Bas Le Travaille!’, in Variétés: Le surréalisme en 1929 , André Breton and Louis Aragon, (Eds.). Brussels: Editions Variétés,, pp 43–6.
from Infotainment, No.2, 1998
A discussion and music revolving around the book Noise and Capitalism with its co-editor Anthony Iles. Anthony discusses the book’s emergence out of a London noise scene, the potentials that the music opened and also its limitations, and the very … Continue reading →
